![]() Shri Shripada Bandyopadhyaya (b.1911) acquired a deep and sound knowledge of the theory and practice of Hindustani Classical music and in the the great art of playing Sitär from the unequivocal masters, Pandit Bhatkhande, the late Ustaad Alauddin Khan, the ardent disciple of Ustaad Wazir Khan veenakar and last representative of Sanla Gharana. Thus suitable combinations of a raga should be remembered by all students of music on the basis of their own ability. ![]() They will be well versed in theory and in practice of ragas. This sound has been evolved from the murmur of the flowing rivulets, the whistle of the blowing wind, the hiss of the flames, the rumble of the earth and thunder of the heavens as the fundamental of all music melodies.Īll musicologists of the past and present will discover in this book only beauty and grandeur of ragas and their implications on musical sounds having a pleasing effect enjoyable to human ears. It has the capacity of fulfilling physical and meta-physical emotions and sacred vibration of heart of all people for eternal bliss. Sitar technique has been identified with melodious sound of infinite beauty and grace.
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